SAN FRANCISCO (CBS SF) — Former East Bay resident and noted purveyor of noise rock Conan Neutron brings his current tour backed by his Secret Friends to the Bay Area for a pair of homecoming shows this weekend in SF and Oakland.
A longtime Oakland resident, Neutron was the principle creative force behind the East Bay noise-punk outfit Replicator with bassist Ben Adrian (who later played in Cartographer) and drummer Chris Bolig during the 2000s. Echoing the lurching, dissonant sounds of such influential ’90s acts as the Jesus Lizard, Melvins and SF’s own Steel Pole Bathtub, the group built up a small but loyal fan base over the course of several albums and U.S. tours.
The group dissolved amicably in 2008, with Neutron initially working with Bolig in the still noisy but somewhat more traditional rock group Mount Vicious. Neutron would then spend a number of years touring and recording with anthemic post-punk band Victory and Associates, as well as co-founding and organizing PRF BBQ West, a series of multi-day festivals in Oakland that hosted an eclectic group of noisy, heavy bands from the Bay Area and abroad for several years running.
conan neutron Noise Rock Hero Plays Homecoming Bay Area Shows
A few years ago, he began a new loose-limbed partnership with Melvins drummer Dale Crover and bassist Tony Ash (of Louisville, KY’s Trophy Wives) under the moniker Conan Neutron and the Secret Friends. Though their first effort The Enemy of Everyone in 2015 was more of a traditional power trio (with co-producer Toshi Kasai adding percussion and vocals and Oxbow singer Eugene Robinson providing vocals on the song “Fight Math”), their savage follow-up The Art of Murder drew on collaborators from a variety of bands including Crover’s partner in the Melvins, Buzz Osborne. Neutron also launched his punk-focused Nope Radio podcast Protonic Reversal featuring interviews with such renowned musicians as Black Flag/OFF! singer Keith Morris and Eagles of Death Metal/earthlings? guitarist Dave Catching.
Neutron has since left relocated to Milwaukee (he helped with the first PRF BBQ there last summer), but this week he returns to the Bay Area with the touring line-up of the Secret Friends featuring Ash on bass, his former Replicator/Mount Vicious partner Bolig on drums and Erica Strout (of Motherf–ker fame) on guitar. Instead of a traditional album, Neutron and company recently launched their Proton and Electrons split single series. The even dozen limited edition 7-inch singles set to be released over the next year will feature a new Conan Neutron and the Secret Friends song on one side and a tune by a band that has collaborated with Neutron and friends on the flip.
For the show at the Hemlock Tavern Friday, Neutron and the Secret Friends will be joined by like-minded SF band Quivers (who are the band featured on the just released second Proton and Electrons single) and experimental prog/punk project Lords of Sealand. On Saturday, the group plays the newly opened Elbo Room Jack London with an opening set from SF instrumental quartet Roland and a headlining performance by one-man noise wrecking crew Reptoid.
Conan Neutron and the Secret Friends
Friday, March 23, 8:30 p.m. $8
Saturday, March 24, 9 p.m. $7
Elbo Room Jack London…
Protons and Electrons Atom 8 is up to listen to and pre-order*
Our song is Jilted Dragon, a song that may or not be about Smaug the dragon from the Hobbit, and may or may not be about one of Conan’s cats. Either way, it’s basically a heavy-ish surf song about the internal mindset and motivations of a frequently cranky creature.
On the other side we have Turbo Lightning! One of the bands of the unsinkable Jeff Byron of old pals The Mae Shi. Conan and Jeff go way back, and both have had their ups and downs, both are still here and doing their thing as hard as they can and with aplomb and vigor. Aplomb! Vigor!
In any case: side note, TL singer Dana is also the badass behind the harmony vocals in Quid Pro Quo.
(*not shipping until May though, so be aware!)…
Despite the decentralizing power of technology, there still exists the un-killable notion of musicians leaving whatever flyover states they grew up in and “making it” on one of the coasts. Conan Neutron has it all wrong: Last June, the Oakland, California punk musician packed up after 22 years in the Bay Area and moved to the Midwestern climes of Milwaukee, taking the spirit of his band (if not all the members), Conan Neutron & The Secret Friends, with him. A revolving super group of sorts (the current recording lineup features Melvins’ drummer Dale Crover, and former Coliseum and Trophy Wives member Tony Ash), Neutron and company are no strangers to Milwaukee, with the singer-songwriter’s former band, Victory And Associates, once a part of Milwaukee’s Latest Flame Records. But now, as much as any group with members spread throughout the country can be (other Secret Friends call Athens and San Francisco home), Conan Neutron & The Secret Friends are officially a Milwaukee band.
This Friday at Club Garibaldi, the group will celebrate the release of their first “Protons and Electrons” split seven-inch, backed with a track from Trophy Wives. Eleven more seven-inches will be released over as many months, eventually adding up to a full album. Before the tour-kickoff show (which will also feature sets from Body Futures and Guerilla Ghost), Milwaukee Record spoke to Neutron about his music (“Weird music by weirdos, for weirdos,” he says), moving to the middle of the country, and doing other “stupid” stuff.
Milwaukee Record: So let’s get the big question out of the way: Why move from California to Wisconsin? What are your ties to Milwaukee?
Conan Neutron: Basically, they’re all from touring. My old band, whenever we’d come through town, we would always play Milwaukee and have a great time. Some of my closest friends are from touring, a large portion of which live in Milwaukee. The IfIHadAHiFi guys being some of them.
We didn’t leave the Bay Area because we disliked it, it was pretty much a matter of being priced out. It was a choice between having a life where you can really lay into the things you really want to do, or fight as hard as you can just to stay above water. Moving to a place with a lower cost of living makes it easier to do that kind of thing. Especially for me, with my main creative pursuit being Conan Neutron & The Secret Friends, we’re all spread out anyway, so it didn’t make a lot of sense to stay in Oakland, especially with everything skyrocketing. So we narrowed it down to a bunch of different cities, and Milwaukee was definitely attractive because we had an existing base of friends. There’s a lot in common between Oakland and Milwaukee—there are a lot of differences as well—but that’s how we ended up heading east from the Wild West. [laughs]
MR: What are some of those differences and similarities between the two cities?
CN: The Bay Area is very concerned with technology, with apps, and with things along those lines. That’s where all the energy is focused, whereas actual art…The Bay Area is world-renowned, for good reason, for being a hotbed of different types of art, whether its visual, comics, music, etc. But the focus in the past decade has changed toward tech, and there’s so much going on at any given moment in time, that there’s almost too much of everything. Which, by the nature of availability, kind of devalues the experience. Not necessarily devaluing playing for the sake of playing, but it makes it a different kind of thing.
This isn’t a new thing. I think most bands, or most bands that tour, will say, “People didn’t really get into us until we got bigger around the country.” That’s a pretty common refrain, and it’s that way for a reason. Outside validation. There’s a record label named World Famous in San Francisco. And that’s totally a thing. [laughs] It happens in a lot of areas, where a local band is very well known. But the World Famous in San Francisco attitude is hilarious because it’s so true, because people don’t even go to Oakland for shows, or go to Berkeley for shows. That’s kind of against my mindset.
I’m a communitarian at heart. I got into punk rock to give back a little bit, to give back to something that’s given to me in so many ways. I don’t consider it a musical genre as much as a lifestyle ethos. I don’t mean liberty spikes and bullet belts, but critical thinking, looking out for a community, etc. It increasingly became known to me that I could do a lot more good out here than I could back in the Bay Area, and provide a better life for ourselves while doing it, and have more resources to actually do those things. More resources to tour, more resources to put out records.
MR: You mentioned in an email that people are always confused when you tell them you moved here from California.
CN: [laughs] People are always looking for a specific reason. “Oh, I moved out here for a job,” or, “I moved out here because of a long-distance relationship.” But nobody ever asks that in California. Nobody ever asks, “Why did you move here from Wisconsin?” There’s always the soft tyranny of diminished expectations that comes from being a working-class, Midwestern city. But it’s like, what are you talking about? There are plenty of reasons to live here! It’s great!
MR: How does a band that’s spread across the country function as a recording unit versus a touring unit?
CN: There are two distinctly different things. By nature of my name being on the marquee, so to speak, this is more my thing than any band I’ve ever been in. As a recording thing, it started out with me writing a bunch of songs. I was inspired …